Talking Analog with Li Hui

If you are into analog photography you have probably already seen Li Hui's work. We met up with the self-taught talent to find out more about her early days as a photographer and what inspires her work!

@ Li Hui

Since when do you remember yourself taking photos? What were your first impulses?

I grew up in Hangzhou, China. My father gave me a film camera when I was 10, but I didn’t take it seriously. I was really into video games and Japanese comics. Finally I picked up my film camera again in 2009 when I visited a friend in Germany and we started traveling together.

What excites you the most about being a photographer?

Taking pictures was more of a hobby to me. I never thought I could become a photographer. I think photography helps me to be more open to my surroundings, allowing me to explore the world in my own way.

Why do you prefer analog photography?

Experimenting with the natural reflection of light, the natural colors and the final surprise when you see the result!

Tell us about why you never photograph the faces of your models!

I used to be a very sensitive and shy person, which is one of the reasons I don’t take pictures of the faces. But it’s interesting that I found my models' body language often telling their true feelings.

What do you want to say through your photographs?

Part of my work shows a world that stems from my own imagination. I compose the entire picture in my mind before I take it. I think my whole work is much more like a very long and silent movie. That’s what I thought of my work. People always say that good pictures tell stories. I rather prefer this approach.

Which camera do you use to take pictures?

Nikon FM2 is my main camera. It’s also my favorite camera.

How do you imagine your future?

Things are always changing. I’m not good at planning ahead. I just follow my heart. I’ve started a book project. My first one has sold out already. I’ve been busy with preparing the next one.

-Anastasia

© Li Hui

See more of Li Hui's work on her website and Instagram!

 

 

A Day with Blogger Ilgin Özgan

VIENNA, ON A THURSDAY, 10 AM. 

On a rather cold and foggy morning we met up close to Vienna's green heart, the Prater, where we organized an outdoor shoot with the amazing Ilgin Özgan

Of course the team included the usual suspects: our most loyal and handsome photographer Igor a.k.a. Jakob Maul (seriously, check out his work!), founder of HONEST. and all-round (acrobatic) talent Luca (follow her into the rabbit hole here) and substitute make-up artist and professional onlooker Stefanie (who prefers to show photos offline and drunk). 

After our model changed into her urban warrior outfit (skirt by JCHOERL, armory by Alex Moser), the weather god graced us with some sun and it finally turned into a beautiful day. The Wurstelprater with most of its attractions already closed for the winter break was the perfect backdrop for the shoot. The deserted rollercoasters and colorful buildings made up a weird and sometimes even creepy scenery, which really played into the atmosphere that we wanted to create!

But before we get into further detail, have a look at the result yourself:

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

© Luca-Mercedes Stemer

 

Thanks again to Ilgin for this amazing day! Find her video about the shoot here and don't forget to subscribe to her channel!

You can also follow us on Instagram and Facebook for some Behind The Scene-Footage!

 

21 Hours in Lisbon

One city, one disposable camera, 21 hours and 21 pictures.

‘Make sure to take some pictures’ - Everyone who has been on vacation, has probably been told to capture their experiences. Experiences that one should share with family and friends upon return. 
Sure, camera phones have made sharing simply easy. Especially when going on a one or two-day trip, where bringing your whole camera equipment would be considered exaggerated. 

So what is the camera phone - equivalence to a film camera? 
We at HONEST. call point-and-shoot cameras into action. 

Our Social Media Unicorn and Globetrotter T. is a big fan of weekend trips, as well as disposable cameras. 
In June she jumped on a plane to Lisbon to meet up with some friends, so we equipped her with a 9,90€ point-and-shoot. 

To make it a bit more interesting we made a challenge out of it.
A challenge with one simple rule: One picture per hour. 

No matter where T. would go, she would have to take one picture every hour, for 21 hours. 

A couple of hours in another city? Sign me up!
It’s been almost a year since my last trip to Lisbon. Portugal is by far one of my favourite countries to visit, no matter if it’s for surfing, road-tripping or visiting friends in the capital.
Therefore I had absolutely no objection to take the little plastic camera with me for the weekend. I was really excited since I didn’t bring any of my other cameras.

I had all these great shots in my head, places that I’ve been to, places I thought would be great to capture for the project.
The 21-Hour-Challenge sounded very easy. I mean, how hard can it be to take one picture every hour?

I arrived Friday night and decided to start shooting Saturday morning (noon-ish) and keep going until Sunday morning before heading back to the airport.

In the beginning I always had to check my bag to see if I brought the camera with me, since it was so light.

We went to the Flea market and I started to check the time more frequently. I think, it was after the first 4 hours that I realised that I couldn’t take pictures of all the things that I actually wanted.

At one point I really did want to break the rule. Lisbon has amazing Miradouros (viewpoints) which I did want to get on film. Unfortunately I just had taken a photo.

By the time I reached the airport the next day, I was pretty much used to take out the camera and just shoot what was in front of me.
— T.
I will definitely do this again. It’s such a fun experiment and it’s definitely a different kind of holiday snaps.
— T.

Top 3 things to do while in Lisbon

  1. Miradouro de Santa Catarina - Bairro Alto
  2. Alfama Flea Market - Feira de Ladra
  3. Take a Tram.

FULL GALLERY HERE

Confession: I gave my best, but I did cheat once when I failed to hear the timer. And once when I was sleeping for a bit. Mum’s the word!

HONEST. Advocate: Urizen Freaza

Urizen Freaza - Dobles

Emulsion lift of color polaroid on monochrome polaroid
'Doble Luisa' - 2015

Urizen Freaza is a self-taught filmmaker and photographer, born in Tenerife, Spain in 1982.
Since 2010 he is based in Berlin, Germany.

In the past years Urizen took part in a variety of group exhibitions in the UK, as well as the United States. 2010 his work was featured in the ARTE documentary "Polaroid - magische Momente".
Urizen is no stranger to the Impossible Project and has won their "Face the Impossible" contest in October 2014. 

Some of his work can also be found in Filmshooters Collectiv's  "Fading From Memory".

Emulsion lift of color polaroid on monochrome polaroid
'Doble Evelyn' - 2015

To say an image consists of many layers sounds very obvious, but i do believe instant photography has one extra layer, which is the physical one.
Even more than film in general, polaroids are objects that you can hold.
When you see a polaroid you know the photographer, and most likely everyone appearing on it, touched it.
They passed it around and looked at it and reacted to it. It’s a fetish in the animistic sense of the word.
— Urizen

Emulsion lift of color polaroid on monochrome polaroid
'Doble Pablo' - 2015

For the ‘hidden’ picture in the background only UV light was used.
This light found in the part of the spectrum invisible to the eye, was meant as a tool to look behind, to see what was hidden.
A portrait is by definition superficial, a two-dimensional representation of a person.
In order to show the person, one layer doesn’t suffice.
— Urizen

HONEST. Advocate: Victor Chen

Victor Chen

Victor Chen, originally from Taiwan, has developed a passion to capture various moments, feelings and enthusiasm of people through his experience from traveling around the world.

He is taking advantage of his adept and wide perspective skills to project his creativity through his New York based photographs focusing on fashion, portraiture, and other documentaries. His adventurous yet attentive personality has granted him the privilege to notice details in nature and beauty that people often overlook around them. 

Victor believes that through his unique and stylized work, he is able to deliver and share the remarkable and momentous moments of his life to his viewers while inspire them to recognize positive virtues and changes people can make through the lens of his camera.

Currently attending Parsons the New School of Design majoring in Design and Technology, he is constantly obtaining knowledge to enrich both his personal and professional career in photography and film.

Website || Instagram

HONEST. Advocate: Soi Park

SOI PARK - Where Are We Going?

2010 - Las Vegas, Nevada
4x5 large-format film camera

A native of Korea, Soi Park received a BA in Visual Information Design at Ewha Women's University in Seoul, Korea before earning her BFA at SUNY / Purchase College in New York.

She holds a MFA from the Yale School of Art where she was also awarded the Alice Kimball English Traveling Fellowship.

2009 - Mashantucket, Connecticut
4x5 large-format film camera

I often find myself in transient places, waiting for people to share those moments of awe and wonder, or silence.
My persistence act of taking pictures might remains a fundamental question of human being and surrounding.

However, I believe that photographs itself surpasses of my intention.
— Soi Park

2010 - Bethlehem, Pennsylvania
4x5 large-format film camera

Soi Park has been featured in Art Chicago NEXT 2011, New Insight by the Renaissance Society, and Spectra 2010 by Silvermine Art Center.

Since 2011, she has exhibited widely - Including a solo exhibition at the CUE foundation in 2013. This year she has been awarded an Engaging Artist Residency from the Mort Art, New York, NY.  

Website

HONEST. Advocate: Oleg Koval

OLEG KOVAL

Oleg Koval, was born in 1989 in Dier, Hungary, while he spent most of his childhood in Truskavets, Ukraine and is now living and working in Lviv, Ukraine. He started photographing in 2011, his main focus being documentary projects about the city he lives in and the ordinary life surrounding him. 

Oleg uses different cameras: Contax G2, Mamiya 645, Yashica T*, and a variety of color films: Provia/Velvia/Ektar.

Film photography is a great process of transferring the world on a physical, analog medium - not fixing it in a digital way.
— Oleg Koval

Oleg spent a lot of time in Poland and has published a photo book called '4,2km' in 2013.
In 2015 he published another photo book called 'Sicily'.

Website || Instagram || Twitter

HONEST. Advocate: Jakob Maul

Jakob Maul

Budapest, Hungary 2013
Nikon F501, 50mm f/1.8 Tri-X 400

Jakob Maul is a 26 year old photographer from Vienna, Austria. He is no stranger to our HONEST. Tribe as he has filmed our videos and took our team photos! Here we want to show you the analogue side of his work. 
Jakob is mostly a portrait photographer, his favourite cameras are the Mamiya RZ 67 (with a 110mm f/2.8 lens) and the Yashica Electro 35 GSN.
 

Vienna, Austria 2013
Nikon F501, 50mm f/1.8 Tri-X 400

People feel less intimidated when being photographed with an old camera.
I don’t know if they take you less seriously or if it’s just a moment of adoration for the beautiful camera, but I feel like people open up way quicker and more easily when they’re being photographed with an analogue camera.
— Jakob Maul

Bratislava, Slovakia 2013
Nikon F501, 50mm f/1.8 Kodak Tri-X 400

Jakob grew up almost exclusively with digital and just began to explore analogue photography a couple of years ago. Analogue photography (despite being the older technique) is a new field for Jakob. A field he considers his playground, where he can experiment and explore more, because for him, a film camera is easier to handle.

Right now Jakob is working on a (digital) project about Burma. He was there for a month and really wants to go back to continue his project, probably taking his Yashica with him! 

Website || Facebook || Instagram || Twitter

HONEST. Advocate: Vai Yu Law

VAI YU LAW

Iceland - September 2014
Camera: Nikon FM2 ||  Film: Vista 200 / Vista 40 

Vai Yu Law is a fashion, portrait and travel photographer based in Toronto, Canada. She has been shooting professionally for 4 years.

Vai loves the colours, the mood, the grain and the rawness that analogue photography gives to photographs. During her trip to Europe, she wanted to remember the moment she took a photograph so she chose her Nikon FM2. 
Because it takes a few extra more seconds to capture a moment in film Vai feels that analogues are more memorable and that a story is attached to each picture. 

Iceland - September 2014
Camera: Nikon FM2 ||  Film: Vista 200 / Vista 40 

Iceland. I had grown interest in Iceland mainly through the influence of a band I adore, Sigur Ros.
I had dream of visiting there but never did, until last year in September.

In 2014, it was a pretty un-inspiring year for me as a photographer. Many things around me seemed tedious, and I felt my life was monotonous. The harder I sought out for inspiration, the further away I was from producing work that would make me happy.
I felt lost and I essentially wanted to leave Toronto, to go somewhere, anywhere. I booked my flight two months before flying, not realizing what I was doing to be honest. Was this the right time? I was going to be away for a month.
— Vai Yu Law

Iceland - September 2014
Camera: Nikon FM2 ||  Film: Vista 200 / Vista 40 

I was extremely busy up until the day of my flight. I still wasn’t sure what I was doing. I was unprepared and all I booked was a hostel in Reykavik, Iceland.
I planned most of my trip while I was on the plane. I was planning on travelling England, Spain, France and Denmark (but I made changes and went to Austria instead of Denmark), as well.

My trip changed me.
I found myself, again.
Once I had stepped foot on Iceland soil, my heart was filled with excitement. I felt I had made the right decision. Iceland is such a beautiful country and I know many people would agree. I wandered around a lot, finding beauty walking on silent streets in an unknown territory. The feeling of bliss trickled through my entire body. I felt revived, refreshed and ready to explore the world, and importantly, learn about myself again.
There’s never a right time to stop learning about oneself.
Always be true to yourself, go with your gut feeling and time wouldn’t be a factor when you’re living fully in the moment.
— Vai Yu Law

Iceland - September 2014
Camera: Nikon FM2 ||  Film: Vista 200 / Vista 40 

Via Yu Law's but next analogue project will be shooting a lingerie and portrait editorial story.

Tumblr || Instagram || Twitter

HONEST. Advocate: Mathias Baumgart

Mathias Baumgart

Praktica MTL 5B; Film: Fuji Superia 200
Flugplatz Tempelhof - Berlin, Germany
March 2013

Mathias Baumgart is a 26 year-old photographer living and working in Vienna, Austria.
In his work he switches between exploring the digital image creation process, which the 21st century has brought us, and observing his direct surroundings with an old-fashioned analog camera.

Mathias is fascinated by the potential of abstraction in film photography. Using standard methods like framing, exposure control and the development process he creates images that refer to the world in the form of shapes, shadows and silhouettes.
In a sceptical approach Mathias questions the theory of photographs as objective reproductions. He tries to use new ways of seeing reality through a lens and on a flattened, composed and eventually manipulated picture – even without the need of modern post production tools.

Praktica MTL 5B; Film: Fuji Superia 200
Flugplatz Tempelhof - Berlin, Germany
March 2013

I like the grip and the textured look an analog photograph has - digital images often look too smooth. Working with “real” photographs, actually holding one in your hand after you’ve developed them has always been more pleasing for me.

The fact that I am limited to only 36 images has also helped me work more thoughtfully and to be more precise.
— Mathias Baumgart

Praktica MTL 5B; Film: Fuji Superia 200
Flugplatz Tempelhof - Berlin, Germany
March 2013

HONEST. Advocate: Mia Berg

Mia Berg - I Looked For You In Every Field 

Shot on Nikon F-100, 35mm Nikon Portra NC film 
2007

Mia Berg uses photography and video to explore the relationship between the human and the natural environment. Enacting a conversation with light, distance and gesture, Berg and her partner incorporates their bodies into her compositions as an extension of their environment, invoking a dialogue on human coexistence with the natural world.

The two figures create a cinematic space that examines ideas of intimacy and symbiosis in relationships between humans and those with nature. Nature and love are an inseparable dyad- Berg’s introduction of human love into her relationship with the natural environment tests the capacities of the heart to maintain ones innermost desires and needs within a primal and fluid relational context.

Berg received a BFA in Photography from Parsons School of Design in 2007 and currently works and resides in Brooklyn and Springs, NY. 

Shot on Nikon F-100, 35mm Nikon Portra NC film 
2007

This body of self portrait work is autobiographical and represents my experience. 
I find myself and my partner to repeatedly be the subject of my work because the process of creating each image requires a very in-the-moment interaction with the environment and each other. 
The image records the experience as it plays out. 
It is not a complete work to me if I am only behind the lens observing and recording, I am also an active participant. 
The creation of the work allows for both thoughtful and unconscious introspection, allowing me to evaluate and internalize what is important to me. 
There is a large emphasis today on living in the cultural and creative facilitator of the city structure, which has left the human need for and attention to nature undervalued and neglected. 
It’s easy to forget how important it is not only to preserve but to experience the elements we came from.
Like the Romantic painters of the late 19th century responding to the Industrial Revolution and social and scientific rationalization, I hope people will again remember the richness and sublimity of communing with nature. 
The heartbreak of destroying so much of our natural world is inversely manifested in a need for human love and compassion- not just romantically but universally.
— Mia Berg

Shot on Nikon F-100, 35mm Nikon Portra NC film 
2007

Working with film affects my creative process in a way that lends itself to a more thoughtful still image.  My digital work has a completely different process, focus and tone.  I have also never found a way to digitally replicate the poetic richness of film.
— Mia Berg, when asked about her choosing analogue photography

HONEST. Advocate: Nika De Carlo

Documenting youth is important to Nika because it is a subject that is passionate, never-ending, and fresh. She sees boys and girls longing to be free, to be loved, and to experience the wholeness of living. Nika's work relies on the environments that her subjects call home - their secret places where they are most accepted and safe. She chooses to document this subject to define the meaning of immunity, discovery, relationships, and friendships.

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A Note From Luca

It all started with me cruising towards the sunset on my second day at Burning Man. I have spent a lot of time thinking about my life and which paths to choose and I felt like I needed to do more, to support others, to build a community, and to help each other. Today’s world can be a cold and lonely place and it’s hard to always know right from wrong. I know so many who struggle to find their way and in my experience it just sometimes needs the inspiration and the push of others to get you back on track. I want to work and create, collaborating with others not competing. I knew that this should be the heart of it, the heart of HONEST. 

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HONEST. Advocate: Mary McNeill-Knowles

Mary McNeill-Knowles was lucky enough to be introduced to film photography in her days as a ‘high-schooler’ in Canada. It was the only elective where she was given the opportunity to spend the class either outside exploring the school yard for something interesting to capture, or in a quiet darkroom developing her roll of film. 

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HONEST. Issue 0

A lot of things have happened in the past four months. Quickly after we (drunkenly) had decided to found a magazine solely featuring analog photography, we set up a website and started contacting photographers. It was only a couple of days into the New Year that our Facebook Page  went online and quickly gained more attention. Thanks to our friends, who shared and liked and talked about HONEST consistently, we are happy to have gathered more than 500 followers in less than a month!

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